I didn't think it was going to be this huge:
Fear the Walking Dead just had the best first season of any show in cable history.
With live-plus-three day ratings in for all six episodes, each of which also did gangbusters among live viewers, the AMC spinoff averaged 11.2 million viewers. 7.3 million of those were adults 18-49. That means that the cable network heads into the last months of 2015 with the No. 1 (Walking Dead), No. 2 (Fear the Walking Dead) and No. 3 (Better Call Saul) shows on basic cable.
AMC, which had renewed the series before its debut, is also going to give it a weekly post-show treatment upon its 2016 return. Chris Hardwick's The Talking Dead, a popular companion to the parent series, will air after every episode of Fear's second season.
I did recaps for every episode, which is something I haven't done before. I went through a lot of other recaps, looking for signs that I had gotten something wrong or had made a factual error and, no matter where I went, the reaction was always the same: boring!
Comment after comment rained down--this is a boring show, nothing is happening, blah blah blah. And that tells you one of two things--people are starved for action and they're starved for attention.
FTWD isn't an action show. It doesn't feature mindless car chases and fight scenes (although it probably will end up having them soon). It's a drama disguised as a horror genre television show. And it's one steeped in the Humanities and elevated by the life or death aspect of the choices put in front of the characters. I guess I'm not surprised by the fact that the show has been marketed as a horror and action show rather than a drama. There's nothing procedural about it other than scratching out some way to survive. To me it's a story of humanity that operates within a framework of asking "how would you survive?"
Well, we already know that you won't survive without people and people are the reason why you probably won't survive for very long. That's the thing that keeps people coming back. They want to see who makes it and who doesn't and that wouldn't happen with flat, phony characters in a horror or action show. It wouldn't happen if there wasn't a struggle with conscience and morality over the simplest of choices.
If you look at this first season as a slow-moving drama, it works on a number of levels. You get the blended family dynamic. You get a slice of Central American history. You get inter-generational conflict. And you get a pretty good idea of where we're at as a society when it comes to treating people addicted to drugs.
Yeah, boring stuff.
These ratings reflect the need for people to connect to an alternate history of the United States. We're talking about events that happened in 2010. We're looking at the context of a global pandemic that mysteriously affects every human brain on the planet. If you succumb to a serious fever, somewhat akin to meningitis or influenza (which look very similar when identified in victims), you die and reanimate and consume human or living flesh. If you survive this, you will reanimate when you die or when you are bitten or scratched by a person who has succumbed to the reanimation process. This basic set of rules affects all of civilization in that it then causes everything to break down. Now, how do you survive?
That's not horror--that's drama. That's life. It's very powerful and the interest in this show reflects that.
Sunday night, I'll start issuing recaps for Season Six of The Walking Dead.